Folk music of Ireland - Wikipedia. Traditional music sessions are commonplace in public houses throughout Ireland. An A to Z of the Accordion and Related Instruments by Rob Howard - Samples page, accordion book, UK, book sales, secure server site. Frank Zappa: Statement To Congress, September 19, 1985. From Record Labeling: Hearing Before the Committee on Commerce, Science, and Transportation, United States. The folk music of Ireland (also known as Irish traditional music, Irish trad, Irish folk music, and other variants) is the generic term for music that has been created in various genres in Ireland. In A History of Irish Music (1. W. Grattan Flood wrote that, in Gaelic Ireland, there were at least ten instruments in general use. These were the cruit (a small harp) and clairseach (a bigger harp with typically 3. Important collectors include Colm . Though solo performance is preferred in the folk tradition, bands or at least small ensembles have probably been a part of Irish music since at least the mid- 1. Irish traditional music has survived more strongly against the forces of cinema, radio and the mass media than the indigenous folk music of most European countries. This was possibly because the country was not a geographical battleground in either of the two world wars. From the end of the second world war until the late fifties folk music was held in low regard. The English Folk music scene also encouraged and gave self- confidence to many Irish musicians. Following the success of The Clancy Brothers in the USA in 1. Irish folk music became fashionable again. The lush sentimental style of singers such as Delia Murphy was replaced by guitar- driven male groups such as The Dubliners. Irish showbands presented a mixture of pop music and folk dance tunes, though these died out during the seventies. The international success of The Chieftains and subsequent musicians and groups has made Irish folk music a global brand. Historically much old- time music of the USA grew out of the music of Ireland, England and Scotland, as a result of cultural diffusion. By the 1. 97. 0s Irish traditional music was again influencing music in the USA and further afield in Australia and Europe. It has occasionally been fused with rock and roll, punk rock and other genres. Music for singing. Most folk songs are less than two hundred years old. One measure of its age is the language used. Modern Irish songs are written in English and Irish. Most of the oldest songs and tunes are rural in origin and come from the older Irish language tradition. Modern songs and tunes often come from cities and towns, Irish songs went from the Irish language to the English language. This is usually performed solo (very occasionally as a duet). To the first- time listener, accustomed to pop and classical singers, sean- n. Traditionally, the Caoineadh song contained lyrics in which the singer lamented for Ireland after having been forced to emigrate due to political or financial reasons. The song may also lament the loss of a loved one (particularly a fair woman). Many Caoineadh songs have their roots/basis in The Troubles of Northern Ireland with particular reference to the presence of the British military during this period. Examples of Caoineadh songs include: Far Away in Australia, The Town I loved So Well and Four Green Fields. Caoineadh singers were originally paid to lament for the departed at funerals, according to a number of Irish sources. Music for dancing. Tunes are most usually divided into two eight- bar strains which are each played as many times as the performers feel is appropriate; Irish dance music is isometric. Accordion Links: The accordion in movies, the visual arts, and literature. Rock It Man Entertainment is a full-production live music and entertainment company. We specialize in Dueling Pianos, Solo Piano, and Full Band shows for events and. The folk music of Ireland (also known as Irish traditional music, Irish trad, Irish folk music, and other variants) is the generic term for music that has been. Archives \ The 300 Best Albums of the Past 30 Years (1985-2014) SPIN's editors rank the finest releases since the publication's beginning in 1985. Tunes that are not so evenly divided are called . Jigs come in various other forms for dancing . Another distinctive Munster rhythm is the Slide, like a fast single jig in 1. The main differences between these types of tunes are in the time signature, tempo, and rhythmic emphasis. It should be noted that, as an aural music form, Irish traditional music is rather artificially confined by time signatures, which are not really capable of conveying the particular emphasis for each type of tune. An easy demonstration of this is any attempt to notate a slow air on the musical stave. Similarly, attempts by classically trained musicians to play traditional music by reading the common transcriptions are almost unrecognisable . At the start of the last century, distinct variation in regional styles of performance existed. With increased communications and travel opportunities, regional styles have become more standardised, with soloists aiming now to create their own, unique, distinctive style, often hybrids of whatever other influences the musician has chosen to include within their style. Due to the importance placed on the melody in Irish music, harmony should be kept simple (although, fitting with the melodic structure of most Irish tunes, this usually does not mean a . True counterpoint is mostly unknown to traditional music, although a form of improvised . Much of the local character of a style comes from the type of decoration that is added to a tune. Instruments used in traditional Irish music. Instruments such as button accordion and concertina made their appearances in Irish traditional music late in the 1. The 4- string tenor banjo, first used by Irish musicians in the US in the 1. The guitar was used as far back as the 1. Michael Coleman and his contemporaries. The bouzouki only entered the traditional Irish music world in the late 1. The word bodhr. Traditional harp- playing died out in the late 1. Mc. Peake Family of Belfast, Derek Bell, Mary O'Hara and others in the mid- 2. Although often encountered, it plays a fringe role in Irish Traditional dance music. The piano is commonly used for accompaniment. In the early 2. 0th century piano accompaniment was prevalent on the 7. Michael Coleman, James Morrison, John Mc. Kenna, PJ Conlon and many more. On many of these recordings the piano accompaniment was woeful because the backers were unfamiliar with Irish music. However, Morrison avoided using the studio piano players and hand- picked his own. The vamping style used by these piano backers has largely remained. There has been a few recent innovators such as M. The best- known regional fiddling traditions are from Donegal, Sligo, Sliabh Luachra and Clare. The fiddling tradition of Sligo is perhaps most recognisable to outsiders, due to the popularity of American- based performers like Lad O'Beirne, Michael Coleman, John Mc. Grath, James Morrison and Paddy Killoran. These fiddlers did much to popularise Irish music in the States in the 1. Other Sligo fiddlers included Martin Wynne and Fred Finn. Notable fiddlers from Clare include Mary Custy, Yvonne Casey, Paddy Canny, Bobby Casey, John Kelly, Patrick Kelly, Peadar O'Loughlin, Pat O'Connor, Martin Hayes and P. Joe Hayes. Donegal has produced James Byrne, Vincent Campbell, John Doherty, and Con Cassidy. Sliabh Luachra, a small area between Kerry and Cork, is known for Julia Clifford, her brother Denis Murphy, Sean Mc. Guire, Paddy Cronin and Padraig O'Keeffe. Contemporary fiddlers from Sliabh Luachra include Matt Cranitch, Gerry Harrington and Connie O'Connell, while Dubliner S. A number of excellent players. Original flutes from the pre- Boehm era continue in use, but since the 1. Some flutes are even made of PVC; these are especially popular with new learners and as travelling instruments, being both less expensive than wooden instruments and far more resistant to changes in humidity. The tin whistle or metal whistle, which with its nearly identical fingering might be called a cousin of the simple- system flute, is also popular. It was mass- produced in 1. Manchester England, as an inexpensive instrument. Clarke whistles almost identical to the first ones made by that company are still available, although the original version, pitched in C, has mostly been replaced for traditional music by that pitched in D, the . The other common design consists of a barrel made of seamless tubing fitted into a plastic or wooden mouthpiece. Skilled craftsmen make fine custom whistles from a range of materials including not only aluminium, brass, and steel tubing but synthetic materials and tropical hardwoods; despite this, more than a few longtime professionals stick with ordinary factory made whistles. Irish schoolchildren are generally taught the rudiments of playing on the tin whistle, just as school children in many other countries are taught the soprano recorder. At one time the whistle was thought of by many traditional musicians as merely a sort of . Tradition holds that seven years learning, seven years practising and seven years playing is required before a piper could be said to have mastered his instrument. These were followed in the 2. S. Liam O'Flynn is one of the most popular of modern performers along with Paddy Keenan, John Mc. Sherry, Davy Spillane, Jerry O'Sullivan, Mick O'Brien and many more. Many Pavee (Traveller) families, such as the Fureys and Dorans and Keenans, are famous for the pipers among them. Famous was also the Mc. Peake Family, who toured Europe. Uilleann pipes are among the most complex forms of bagpipes; they possess a chanter with a double reed and a two- octave range, three single- reed drones, and, in the complete version known as a full set, a trio of (regulators) all with double reeds and keys worked by the piper's forearm, capable of providing harmonic support for the melody. Some choose never to play the full set, and many make little use of the regulators.) The bag is filled with air by a bellows held between the piper's elbow and side, rather than by the performer's lungs as in the highland pipes and almost all other forms of bagpipe, aside from the Scottish smallpipes, Pastoral pipes (which also plays with regulators), the Northumbrian pipes of northern England, and the Border pipes found in both parts of the Anglo- Scottish Border country. The uilleann pipes play a prominent part in a form of instrumental music called Fonn Mall, closely related to unaccompanied singing an sean n. Willie Clancy, Leo Rowsome, and Garret Barry were among the many pipers famous in their day; Paddy Keenan, Davy Spillane and Robbie Hannan play these traditional airs today, among many others.
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